Renovating Ruins: Ruination, Consumption, and Art

Archaeology and Material Culture

At the heart of Indianapolis, Indiana’s Holliday Park sit the remnants of an artwork its designer hoped would be known as Constitution Mall.  The remains are typically referred to simply as “the Ruins,” though, and in the heart of the city park they are a picturesque if unexpected backdrop:  ambiguously evocative of a deteriorating heritage, the Greek columns, a reflecting pool, and a scatter of limestone statuary are today fenced-in and grown over with weeds.  The centerpiece of the remains is an 1898 sculpture designed by Karl Bitter known as “the Races of Mankind” depicting three kneeling figures who represent “the Caucasian, Negro, and Mongolian races bearing mankind’s burden.”

The three sculptures were created at the end of the 19th century, but the installation itself was created in the 1960s and 1970s, a faux ruin rather than a genuine architectural shell.  Park boosters’ interest in “renovating” the Ruins now…

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